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III WORLD
TOUR
opens in San Francisco on JULY 4, 2007
THE PHOENIX HOTEL
601
EDDIE STREET | SAN
FRANCISCO
4 JULY
2007 | 2 PM - 6
PM
ART + MUSIC + POOLSIDE HOLIDAY BARBECUE
hundreds of political posters from around
the world
NO curation + NO
censorship
free
admission!
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PROPAGANDA PROPAGATING ONLINE
by
Jonathan Keats
The effects of local politics are global. Warfare
isn't limited by national borders; climate change cannot
be confined. While the blogosphere has provided the
disenfranchised with a platform for discussion and
debate, one of the most powerful tools of grassroots
communication has remained essentially provincial:
Printed on paper and affixed to walls with wheat paste,
the propaganda poster is a medium made to stay in place. Propaganda III effectively questions
this role by proposing a hybrid future for poster art
that relies on the global reach of photo-sharing website
Flickr and the universal availability of inkjet
printers.
Already nearly two hundred posters from
around the world have been submitted to the Propaganda III Flickr Gallery -- administered by San Francisco
gallery START SOMA -- with entries from Iran, Croatia, and China
joining more conventional fare from England and the
United States. Much of it, such as Shepard Fairey's stylish Make Art Not
War, is more decorative than polemical, though Francesco
Sommacal's rendition of the World Trade Center, with the
Nike swoosh as an airplane and the slogan "Just Do It"
as a caption, is chillingly unequivocal.
START SOMA will tour prints
of all submissions, uncensored, in galleries around the
world starting on July 4th, a proof-of-concept in inkjet
propaganda.
More provocatively, the
ongoing online exhibition suggests the potential for
propaganda to evolve, open-source, as it spreads: As
digital files circulate freely on the web, global
messages can be remixed on any PC to meet local
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THE ART
OF PROPAGANDA
by Jamie
O'Shea
San Francisco’s START SOMA gallery has just announced a traveling international
exhibition of modern propaganda art called PROPAGANDA III. Debuting on July 4th at
Start’s SF gallery, the show will feature modern
propaganda posters by more than 300 artists from around
the world.
Following its NorCal unveiling, the show will
travel to a host of international cities
through 2008 including Milwaukee, Austin, Portland,
Boston, New York, Philadelphia, Washington, New Orleans,
Chicago, Detroit, Los Angeles, Denver, Las Vegas,
Tehran, Copenhagen, Singapore, Bologna, Rome, Sydney,
Melbourne, Brisbane, Istanbul, Paris, Prague, and
Zurich, for a series of one-day art shows at like-minded
galleries and installation spaces.
Interestingly enough, the show’s organizer, JOHN
DOFFING, promises that the exhibit is open to
submissions by any & all artists and that absolutely
“no curation or censorship” will be exercised when
assembling the shows. In addition, none of the artwork
on display will be available for sale during the shows,
but rather only through the participating artist’s
private websites.
In Doffing’s words, “This is not a commercial art
show, but rather a truly global celebration of free
speech and untrammeled freedom of expression.” After the
tour has ended, all original artwork will be donated to
the Center for the Study of Political Graphics (CSPG) in
Los Angeles. CSPG’s growing archive currently contains
more than 60,000 domestic and international posters
produced in a staggering array of visual styles and
printing media, dating from the Russian Revolution to
the present. With 95% of the archive dating from the
1960s to the present, CSPG maintains the largest archive
of post World War II political posters on
Earth.
Stay tuned for more
developments as the show moves forth and keep an eye out
for a tour date near you…
RESOURCES:
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PROPAGANDA III WORLD
TOUR
confirmed tour stops
2007-2008
- San Francisco
- Milwaukee
- Austin
- Miami
- Boston
- New York
- Philadelphia
- Washington
- New
Orleans
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- Chicago
- Detroit
- Los Angeles
- Denver
- Las Vegas
- Tehran
- Copenhagen
- Singapore
- Bologna
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- Rome
- Sydney
- Melbourne
- Brisbane
- Istanbul
- Paris
- Prague
- Zurich
- MORE
COMING...
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NEARLY 400 SUBMISSIONS FROM
AROUND THE
WORLD...
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You won't agree with a lot of it.
If you're like me, you won't
even understand a lot of it.
But the visual and graphic
palette on display is stunning.
It's like a primer in what's
going on in the design and art world
today.
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THE POWER OF
POSTER
ART
by Carol Wells | Executive
Director
Center for the
Study of Political
Graphics |
There has never been
a movement for social change without the
arts—music, poetry, theater, posters—being central
to that movement. Political posters are powerful
historical documents reminding us of worldwide
struggles, past and present, for peace and
justice. Communication, exhortation, persuasion,
instruction, celebration, warning: graphic art
broadcasts its messages through bold images and
striking designs.
All art is
political, but not all art is overtly political.
Protest posters flaunt their politics to generate
awareness or controversy. Raw and aggressive or
polished and sophisticated, political posters are
the graphics of dissent against existing
injustices. Slapped on walls surreptitiously,
often at great risk, by collectives and anonymous
individuals, or carefully fashioned by recognized
artists in well-equipped studios, protest posters
communicate instantly and directly to both
literate and non-literate viewers.
Like all art, political posters
stir emotions and reflection. They can deepen
compassion and commitment, ignite outrage, elicit
laughter, and provoke action. Transmitting and
promoting the ideals, hopes and dreams of millions
who have dared to raise their voices in protest,
political posters empower and propel diverse
movements for social change.
After PROPAGANDA
III travels the world, the posters will
be given to the Center for the Study of Political
Graphics (CSPG), the only activist poster archive
in the world. CSPG is an educational and research
archive that collects, preserves, documents, and
circulates domestic and international political
posters generated from historical and contemporary
movements for social change. CSPG’s growing
archive currently contains more than 60,000
domestic and international posters produced in a
staggering array of visual styles and printing
media, dating from the Russian Revolution to the
present. With 95% of the archive dating from the
1960s to the present, CSPG maintains the largest
archive of post World War II political posters in
the U.S. and one of the largest in the world.
In many cases, posters are the
only record of certain historical events that
would otherwise go untold. Though produced in
multiples, often with urgency and by any means
available – offset, lithograph, silkscreen,
linocut, stencil, woodcut, photocopy, or laser—few
copies survive. CSPG is making these rare and
fragile primary resource documents available to
activists, artists, students, teachers and
researchers around the world through traveling and
online exhibitions, lectures, publications, and
workshops. Through its diverse programs, CSPG is
reclaiming the power of art to educate and inspire
people to action.
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